Press

Select Press:

What Happens to Celebrities’ Outfits After a Red Carpet Event?
CNN, 6 January 2025

Hiding in Plain Sight: Americans’ Obsession with Camouflage is a Sign of Paranoid Times
Isabel Sloane, The Guardian, 14 December 2024

Fall’s Most Intriguing Designs Are Made From Anything But Plain Fabric
W Magazine, 23 September 2024

When Wearing Historic Clothing Does — and Doesn’t — Make Sense
Back Row. 19 December 2023

Inside the World of Textile Conservation: Where Fashion and Science Meet
Fashionista.com, 1 March 2023.

The Hunt: Leaving New York for Cleveland? Here’s How Far Their Money Went
New York Times, 13 October 2022

Preserving Fashion’s Past, Present, and Future with Conservator Sarah Scaturro
Dressed: The History of Fashion Podcast, 2 August 2022

Kim, Marilyn, and Why Preserving Historical Fashion Matters
Dressed: The History of Fashion Podcast, 4 August 2022

Conservators ‘speechless’ that Kim Kardashian wore Marilyn Monroe’s dress to Met Gala
Los Angeles Times, 3 May 2022

Ripley’s Says There Was No Damage To Kim Kardashian’s Met Gala Dress. Still, Experts Think That It Was A Bad Idea
Refinery29, 15 June 2022

A Silent Roundtable Discuss on Disability and Inclusion in Art Conservation
Voices of Contemporary Art (VoCA) Journal, Issue 10, December 2020

“A Resting Time for the Art”: With Museums Shut Conservators Seize on Strategies to Safeguard Their Collections
The Art Newspaper, 25 May 2020

Cleveland Museum of Art Appoints Sarah Scaturro of Met Museum’s Costume Institute as Chief Conservator
The Plain Dealer and Cleveland.com, February 2020

Met Gala 2019: Sneak Peek Induces Fashion Euphoria
CBS This Morning, May 2019

Exhibiting Fashion: An Interview with Fashion Conservator Sarah Scaturro Part 1 and Part 2
Dressed: The History of Fashion Podcast, September 2018

How I Got My Art Job: The Met’s Costume Institute Conservator on Getting Her Dream Gig Without the Perfect Resume
Artnet, May 8, 2018 

The World’s Largest Speedo Collection Almost Oozed Away 
Atlas Obscura, July 2018 

Curation and Conservation: An Interview with Sarah Scaturro 
Fashion Projects, 2018

How these Lowbrow Clothes Became Works of Art
NY Post, September 2017

Other select press:

• Vogue

  • “What It’s Like to Unbox Precious Artifacts that Have Never Left the Vatican” May 4, 2018. 

  • “A Conservator’s View of Rei Kawakubo: Art of the In-Between” by Laird Borelli, April 24, 2017 

  • "Behind the Seams" by Katherine Bernard, in Met Gala Special Issue, 2014

• New York Times

  • "Proper Care for Wedding Gowns" April 12, 2013

• New Yorker

  • "Treasure Island: The Extraordinary Finds of an Amateur Diving Club in Holland" by Jessamyn Hatcher, September 19, 2017

  • "Dressing Up: How Charles James Elevated Fashion" by Judith Thurman, May 5, 2014

• Racked

  • “Inside the Metropolitan Museum of Art’s Fashion Lab”  January 28, 2018.

  • “The Woman Who Makes the Met’s Fashion Exhibits Presentable” by Eliza Brooke, 2016. 

• Vice Media's Creator's Project

  • “How to Rescue Fashion Before It Self-Destructs” by Noemie Jennifer, 2017. 

  • “Go Behind the Scenes of the Met’s Costume Institute Conservation Lab,” by Noemie Jennifer, 2016.

Select Additional

• “The Woman Behind the Curtain: Behind the Scenes at the Costume Institute” by Jeanette Ferrera, Scienceline, 2016. 

• “The Art of Style: Meet the Met’s Costume Institute Conservator Sarah Scaturro” by Emma Sandler, Medill Reports Chicago, 2015.